Haile Gerima - Wikipedia. Haile Gerima (born March 4, 1. Ethiopian filmmaker who lives and works in the United States. He is a leading member of the L. A. Rebellion film movement, also known as the Los Angeles School of Black Filmmakers. Since 1. 97. 5, Gerima has also been an influential film professor at Howard University in Washington, DC.
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He is best known for Sankofa (1. Early years. His father was a dramatist and playwright, who traveled across the Ethiopian countryside staging local plays. He was an important early influence.
Gerima emigrated to the United States in 1. He enrolled in acting classes at the Goodman School of Drama in Chicago.
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Film making isn't encouraged or supported by the Ethiopian government. The film is the story of Dorothy and her husband T. C., a discharged Vietnam veteran who anticipated a hero's welcome on his return.
He is arrested and imprisoned for a crime he did not commit. Theirs is a world of welfare, perennial unemployment, and despair. The film has stark black- and- white photography, but its message is moving and distinct.
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It addresses issues of institutionalized racism, police brutality, and poverty; these remain pertinent. For the production of Mirt Sost Shi Amit (Harvest: 3,0. Years). It is an account of a poor peasant family who eke out an existence within a brutal, exploitative, and feudal system of labor. His Wilmington 1. USA 1. 0,0. 00 (1.
United States by examining the history of the nine Black men and one white woman who became known as the Wilmington Ten. The travails of Black urban life in the United States are explored in the two- hour Ashes and Embers (1. Black veteran of the Vietnam War.
This historically inspired dramatic tale of African resistance to slavery won international acclaim: awarded first prize at the African Film Festival in Milan, Italy; Best Cinematography at Africa's premier Festival of Pan African Countries (FESPACO); and nominated for the Golden Bear at the 4. Berlin International Film Festival. The film attracted huge audiences across the United States, many of whom waited in long lines and filled theaters for weeks on end. The film subverted a notion that only mainstream distributors could attract audiences for filmmakers. Guided by an independent philosophy, Gerima practiced an innovative strategy in distribution whose success remains unprecedented in African- American film history.
The film opens with the statement: . The story is revealed through the eyes of Mona, a modern- day woman who is possessed by spirits and transported to the past as Shola, a house slave on the Lafayette plantation in Louisiana. The savagery and violence of the evil institution are clearly disturbing and go far beyond the safe and conventional images of slavery presented by Hollywood. In Sankofa, we hear the chilling sound of human flesh as it is seared with a hot branding iron and see the barren faces of the human cargo; women are stripped of all dignity and subject to the continual sexual exploitation of their owners; human necks are enclosed in iron shackles; and rape is used as a tool of terror and domination.
Some critics panned Gerima for excess brutality, but the Black community responded positively and enthusiastically. The film was well received and played to full houses for many weeks in major cities. Imperfect Journey (1.
BBC, explores the political and psychic recovery of the Ethiopian people after the political repression or . The filmmaker suggests questions about the direction of the succeeding government and the will of the people in creating institutions guaranteeing their liberation.
Adwa: An African Victory (1. Ethiopian people united to defeat the Italian army. Gerima used images of paintings and rare historical photographs, sound, music, and interviews of elders, who recall the details of the story of the battle.
It concludes with a dramatic recreation of the final battle. Gerima's most recent film is Teza (2. Set in Ethiopia and Germany, the film chronicles the return of an Ethiopian intellectual to his country of birth during the repressive Marxist regime of Mengistu Haile Mariam and the recognition of his own displacement and powerlessness at the dissolution of his people's humanity and social values. After several years spent studying medicine in Germany, Anberber returns to Ethiopia only to find the country of his youth replaced by turmoil. His dream of using his craft to improve the health of Ethiopians is squashed by a military junta that uses scientists for their own political ends. Seeking the comfort of his countryside home, Anberber finds no refuge from violence. The solace that the memories of his youth provide is quickly replaced by the competing forces of military and rebelling factions.
Anberber needs to decide whether he wants to bear the strain or piece together a life from the fragments that lie around him. Independent distribution and Mypheduh Films Inc. They relied on this for his film Sankofa (1.
Though well- established, Gerima, like many independent filmmakers, regrets failing to attract a mainstream audience. So I never wanted to be part of an industry that fails to represent the world as it really exists. It is directly across the street from Howard University. Filmography. 7. 9–9. Alexander, George, and Janet Hill, eds. Why We Make Movies: Black Filmmakers Talk About the Magic of Cinema. New York: Harlem Moon.
Awards, nominations and distinctions. Hotbed, Black Filmmakers' Creativity Flowered.
Asrat’s review of Harvest: 3,0. Years on Abesha. Com.